I Imagine I Been Science Fiction Always

On the heels of Sho (winner, Griffin Poetry Prize) and Optic Subwoof (Pegasus Award in Poetry Criticism), Douglas Kearney's visual poetry masterpiece, I Imagine I Been Science Fiction Always, pushes further into Kearney's long—time practices of performance typography, collaging pre—existing media sources to create singular, multiplicitous texts that defy neat categorization.

Through AfroFuturistic exploration of these techniques, Kearney presents a sustained consideration of precarious Black subjectivity, cultural production as self—defense, the transhistoric emancipatory logics of the preposition over, Anarcho—Black temporal disruption, and seriocomic meditations on the material and metaphysical nature of shadow. Engaging a rich history of visual poetics, I Imagine I Been Science Fiction Always almost predicts its endurance as a visionary work of genius.