Scrap Book

Set within a Midwestern family home along the shores of Lake Michigan, Scrap Book draws on Marianne Hirsch’s theory of postmemory: “the relationship of the second generation to powerful, often traumatic, experiences that preceded their birth but that were nevertheless transmitted to them so deeply.” Interwoven with poems grounded in a familial archive—such as journal entries and Polaroids of Martino's father in prison—the collection uses the idea of photographic development as a framework for exploring how insight into family history can emerge gradually, like an image appearing in a darkroom.

Through its use of ekphrasis and archival fragments, Scrap Book creates a textural interior landscape in which the speaker wrestles with how they see themselves and how they are seen by others. Ultimately, Scrap Book is a work of gathering and repair—a lyrical stitching-together of fragments in search of meaning. In reassembling the family archive, Martino opens a space for readers to do the same: to sift through memory, injury, and ego, and fashion from their own “scraps” a deeper understanding of what they carry.