Talulla Rising (eBook)
When I change I change fast. The moon drags the whatever-it-is up from the earth and it goes through me with crazy wriggling impatience . . . I’m twisted, torn, churned, throttled—then rushed through a blind chicane into ludicrous power . . . A heel settles. A last canine hurries through. A shoulder blade pops. The woman is a werewolf.
The woman is Talulla Demetriou.
She’s grieving for her werewolf lover, Jake, whose violent death has left her alone with her own sublime monstrousness. On the run, pursued by the hunters of WOCOP (World Organisation for the Control of Occult Phenomena), she must find a place to give birth to Jake’s child in secret.
The birth, under a full moon at a remote Alaska lodge, leaves Talulla ravaged, but with her infant son in her arms she believes the worst is over—until the windows crash in, and she discovers that the worst has only just begun . . .
What follows throws Talulla into a race against time to save both herself and her child as she faces down the new, psychotic leader of WOCOP, a cabal of blood-drinking religious fanatics, and (rumor has it) the oldest living vampire.
Harnessing the same audacious imagination and dark humor, the same depths of horror and sympathy, the same full-tilt narrative energy with which he crafted his acclaimed novel The Last Werewolf, Glen Duncan now gives us a heroine like no other, the definitive twenty-first-century female of the species.
About the Author
Glen Duncan is the author of seven previous novels. He was chosen by both Arena and The Times Literary Supplement as one of Britain’s best young novelists. He lives in London.
Praise for Talulla Rising…
“Glorious . . . I can’t help thinking that wry, world-weary Jake Marlowe would make a fabulous dinner companion. Just not during a full moon.”
—Justin Cronin, The New York Times Book Review
“Duncan has finally driven a stake through vampire supremacy . . . Cerebral and campy, philosophical and ironic, The Last Werewolf is a novel that’s always licking its bloody lips and winking at us . . . A dark thriller that explodes with enough conspiracies, subterfuges and murders to raise your hackles. Not to mention such hot werewolf sex that you’ll be tempted to wander out under the full moon yourself next month.”
—Ron Charles, The Washington Post
“A shocking new take on the werewolf legend . . . Intelligent, fast-moving, creative, and thrilling.”
—The Daily Beast
“A clever narrative with a memorable antihero at its feral, furry heart.”
—Thom Geier, Entertainment Weekly
“Quirky and brilliant—and definitely not for kids.”
“Savvy and exceptionally literate, this is one smart modern werewolf tale. . . [A] fine supernatural thriller.”
“The Last Werewolf is like an updated version of Dracula, only for werewolves, and as rewritten by Bret Easton Ellis . . . In its own blood-crazed and sex-dazed way, The Last Werewolf makes the case for literature.”
—Stephen Poole, The Guardian (UK)
“Sexy, funny, blisteringly intelligent . . . Duncan is the cleverest literary horror merchant since Bram Stoker.”
—Kate Saunders, The Times (London)
“Okay, no hyperbole, just an admission: I loved this novel. It’s a howl, a rager, a scream. May The Last Werewolf put a stake through the heart of humorless, overwrought vampire sagas. Two big thumb-claws up!”
—Chris Bohjalian, author of Secrets of Eden, The Double Bind, and Midwives
“A brilliantly original thriller, a love story, a witty treatise on male (and female) urges, even an existential musing on what it is to be human. Get one for yourself and one for the Twilight fan in your life.”
—James Medd, The Word (UK)
“Space should be cleared for this violent, sexy thriller . . . The answer to Twilight that adults have been waiting for.”
—Courtney Jones, Booklist
“Yes, there are vampires here . . . But don’t give this book to Twilight groupies; the frank tone, dark wit, and elegant, sophisticated language will likely do them in. . . . Smart, original, and completely absorbing. Highly recommended.”
—Barbara Hoffert, Library Journal (Starred review)
“The best books are blurb defying; they're far too potent for a flimsy net of adjectives ever to capture them. I could say that The Last Werewolf is smart, thrilling, funny, moving, beautifully written, and a joy to read, and this would all be true. But it would also be a woeful understatement of what Glen Duncan has accomplished with his extraordinary novel. The only useful thing I can offer you is a simple admonishment. Stop reading my words, and start reading his. Trust me: you’ll be happy you did.”
—Scott Smith, author of The Ruins
“A magnificent novel. A brutal, indignant, lunatic howl. A sexy, blood-spattered page-turner, beautifully crafted and full of genuine suspense, that tears the thorax out of the horror genre to create something that stands rapturous and majestic and entirely on its own.”