The Tent (Paperback)
From the #1 New York Times bestselling author of The Handmaid's TaleA delightful melange of short fiction, here the Booker Prize-winning author pushes against form once again, with meditations on warlords, pet heaven, and aging homemakers. In these pieces, Margaret Atwood gives a sly pep talk to the ambitious young; writes about the disconcerting experience of looking at old photos of ourselves; and examines the boons and banes of orphanhood. Accompanied by her own playful illustrations, Atwood's droll humor and keen insight make each piece full of clarity and grace. Prescient and personal, delectable and tart, The Tent reflects one of our wittiest authors at her best.
About the Author
Margaret Atwood, whose work has been published in thirty-five countries, is the author of more than forty books of fiction, poetry, and critical essays. In addition to The Handmaid's Tale, her novels include Cat's Eye, short-listed for the 1989 Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize; The Year of the Flood; and her most recent, MaddAddam. She is the recipient of the Los Angeles Times Innovator's Award, and lives in Toronto with the writer Graeme Gibson. www.margaretatwood.ca
“Delectably astringent. . . . These succinct, acridly funny pieces. . . deliver a heady punch.” —Los Angeles Times“She has a cool wit, sometimes brutally satirical, always entertaining, and serious to the bone.” —Katherine Dunn, The Oregonian“Atwood’s sentences have more bounce and boogie than those of most twentysomethings.... And although these stories take many forms, from extended metaphor to anecdote, from poem to gag, they are all very much to do with the life and opinions of Margaret Atwood.” —The Times (London)“The Tent exposes the nuts and bolts of the tortuous creative process....The book powerfully exhibits the human consciousness in conversation with itself, struggling to establish a voice amid the cacophony.” —The Observer