Where the God of Love Hangs Out: Fiction (Hardcover)
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Love, in its many forms and complexities, weaves through this collection by Amy Bloom, the New York Times bestselling author of Away. Bloom's astonishing and astute new work of interconnected stories illuminates the mysteries of passion, family, and friendship.
Propelled by Bloom's dazzling prose, unmistakable voice, and generous wit, Where the God of Love Hangs Out takes us to the margins and the centers of real people's lives, exploring the changes that love and loss create. A young woman is haunted by her roommate's murder; a man and his daughter-in-law confess their sins in the unlikeliest of places. In one quartet of interlocking stories, two middle-aged friends, married to others, find themselves surprisingly drawn to each other, risking all while never underestimating the cost. In another linked set of stories, we follow mother and son for thirty years as their small and uncertain family becomes an irresistible tribe.
Insightful, sensuous, and heartbreaking, these stories of passion and disappointment, life and death, capture deep human truths. As The New Yorker has said, "Amy Bloom gets more meaning into individual sentences than most authors manage in whole books."
About the Author
Amy Bloom is the author of the bestselling and acclaimed Away; Come to Me, a National Book Award finalist; A Blind Man Can See How Much I Love You, nominated for the National Book Critics Circle Award; Love Invents Us; and Normal. Her stories have appeared in The Best American Short Stories, O. Henry Prize Short Stories, The Scribner Anthology of Contemporary Short Fiction, and many other anthologies here and abroad. She has written for The New Yorker, The New York Times Magazine, The Atlantic Monthly, Vogue, Granta, and Slate, among other publications, and has won a National Magazine Award. Bloom teaches creative writing at Yale University.
Praise for Where the God of Love Hangs Out: Fiction…
"Evokes E. L. Doctorow's Ragtime in its playful fusion of fiction and fantasy and its exuberant tone." —San Francisco Chronicle, on Away