Dear Shoppers, We are undergoing a company-wide computer system upgrade, and the inventory levels listed on our website may not accurately reflect what is actually on our shelves. Please give us a call at 303-322-7727 and a bookseller will be happy to check stock for you. We apologize for the inconvenience.
The Little Girls (Paperback)
In 1914, three eleven-year-old girls buried a box in a thicket on the coast of England, shortly before World War I sent their lives on divergent paths. Nearly fifty years later, a series of mysteriously-worded classified ads brings the women reluctantly together again. Dinah has grown from a chubby, bossy girl to a beautiful, eccentric widow. The clever, reticent Clare has blossomed into an imperious entrepreneur of independent means. And Sheila—who was once the pretty princess of her small universe—has weathered disappointed aspirations to become a chic and glossily correct housewife.
As these radically different women confront one another and their shared secrets, the hard-won complacencies of their present selves are irrevocably shattered. In a novel as subtle and compelling as a mystery, Elizabeth Bowen explores the buried revelations—and the dangers—that attend the summoning up of childhood and the long-concealed scars of the past.
About the Author
Elizabeth Bowen was born in Dublin in 1899, the only child of an Irish lawyer and landowner. Her book Bowen's Court (1942) is the history of her family and their house, in County Cork. Throughout her life, she divided her time between London and Bowen's Court, which she inherited. She wrote many acclaimed novels and short story collections, was awarded the CBE in 1948, and was made a Companion of Literature by the Royal Society of Literature in 1965. She died in 1973.
“Triumphant . . . the funniest of Miss Bowen’s novels.” —The Times (London)
“This story is poetic in its awareness, its stimulus, its beauty of writing; and as full of clues, hints and half-revealed secrets as any thriller.” —The Scotsman (Edinburgh)
“Bowen so thoroughly knows the world she is writing about that she contrives to appear to convey it to us whole. Her fictional insight is made solid by sound psychological insight.” –The New York Times