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Luminous and affecting . . . Exposure] examines the often fine line between art and abuse. . . . Taut in plot, beautifully realistic, and intelligently disturbing.
" Harper's Bazaar"
Ann Rogers appears to be a happily married, successful young woman. A talented photographer, she creates happy memories for others, videotaping weddings, splicing together scenes of smiling faces, editing out awkward moments. But she cannot edit her own memories so easily images of a childhood spent as her father's model and muse, the subject of his celebrated series of controversial photographs. To cope, Ann slips into a secret life of shame and vice. But when the Museum of Modern Art announces a retrospective of her father's shocking portraits, Ann finds herself teetering on the edge of self-destruction, desperately trying to escape the psychological maelstrom that threatens to consume her.
Astounding . . . told in prose as multifaceted as a diamond, crystalline and mesmerizing. Remarkable hardly goes far enough.
" Impossible to put down . . . Kathryn Harrison is an extremely gifted writer, poetic, passionate, and elegant.
" San Francisco Chronicle"
Exquisite, exhilarating, and harrowing.
Donna Tartt, author of "The Secret History" and "The Little Friend"
A breathless urban nightmare not easy to forget. Stark, brilliant, and original work.
" Kirkus Reviews "(starred review)
About the Author
Kathryn Harrison is a graduate of Stanford University and the Iowa Writer's Workshop. She is the author of the novels The Binding Chair, Thicker Than Water, Exposure, and Poison. She has also written a memoir, The Kiss. Her personal essays have appeared in The New Yorker, Harper's Magazine, and other publications. She lives in New York with her husband, the novelist Colin Harrison, and their children.