The World According to Garp is a comic and compassionate coming-of-age novel that established John Irving as one of the most imaginative writers of his generation. A worldwide bestseller since its publication in 1978, Irving's classic is filled with stories inside stories about the life and times of T. S. Garp, novelist and bastard son of Jenny Fields--a feminist leader ahead of her time. Beyond that, The World According to Garp virtually defies synopsis.
----"Nothing in contemporary fiction matches it," said critic Terrence Des Pres. "Irving's blend of gravity and play is unique, audacious, almost blasphemous. . . . Friendship, marriage and family are his primary themes, but at that blundering level of life where mishap and folly--something close to joyful malice--perpetually intrude and disrupt, often fatally. Life, in Irving's fiction, is always under siege." Time magazine commented: "Irving's popularity is not hard to understand. His world is really the world according to nearly everyone."
----This Modern Library edition includes a new Introduction by the author.
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About the Author
John Irving has been nominated for a National Book Award three times–winning once, in 1980, for the novel The World According to Garp. A Prayer for Owen Meany was published in 1989. In 1992, Mr. Irving was inducted into the National Wrestling Hall of Fame in Stillwater, Oklahoma. In 2000, he won the Oscar for Best Adapted Screenplay for The Cider House Rules–a film with seven Academy Award nominations.
Praise for The World According to Garp…
“The most powerful and profound novel about women written by a man in our generation . . . Like all extraordinary books, Garp defies synopsis. . . . A marvelous, important, permanent novel by a serious artist of remarkable powers.”—Chicago Sun-Times
“Nothing in contemporary fiction matches it. . . . Irving’s blend of gravity and play is unique, audacious, almost blasphemous. . . . Brilliant, funny, and consistently wise; a work of vast talent.”—The New Republic
“A wonderful novel, full of energy and art, at once funny and horrifying and heartbreaking.”—Washington Post