From the acclaimed author of The Epicure's Lament, a novel of literary rivalry in which two competing biographers collide in their quest for the truth about a great artist.
Oscar Feldman, the "Great Man," was a New York city painter of the heroic generation of the forties and fifties. But instead of the abstract canvases of the Pollocks and Rothkos, he stubbornly hewed to painting one subject—the female nude. When he died in 2001, he left behind a wife, Abigail, an autistic son, and a sister, Maxine, herself a notable abstract painter—all duly noted in the New York Times obituary.
What no one knows is that Oscar Feldman led an entirely separate life in Brooklyn with his longtime mistress, Teddy St. Cloud, and their twin daughters. As the incorrigibly bohemian Teddy puts it, "He couldn't live without a woman around. It was like water to a plant for him." Now two rival biographers, book contracts in hand, are circling around Feldman's life story, and each of these three women—Abigail, Maxine, and Teddy—will have a chance to tell the truth as they experienced it.
The Great Man is a scintillating comedy of life among the avant-garde—of the untidy truths, needy egos, and jostlings for position behind the glossy facade of artistic greatness. Not a pretty picture—but a provocative and entertaining one that incarnates the take-no-prisoners satirical spirit of Dawn Powell and Mary McCarthy.
About the Author
KATE CHRISTENSEN is the author of the novels In the Drink, Jeremy Thrane, and The Epicure's Lament. Her essays and articles have appeared in various publications, including Salon, Mademoiselle, the Hartford Courant, Elle, and the bestselling anthology The Bitch in the House. She lives in Brooklyn with her husband.
Praise for The Great Man…
“Kate Christensen’s brilliant, big-hearted skewering of greatness, of men, of the Manhattan art scene, of love, reminded me that books can be witty, and heartbreaking, and intelligent, and keep you up too late reading. How rare it is that a writer is talented enough to deliver such varied treasures in one novel, but Christiansen manages it effortlessly.”
—Heidi Julavits, author of The Uses of Enchantment
“The prose in this book is stunning; the characters fascinating, endearing, and utterly real. Kate Christensen is, quite simply, one of the finest artists writing today.”
—Cathi Hanauer, author of Sweet Ruin and editor of The Bitch in the House
Praise for The Epicure’s Lament:
“Christensen has created in Hugo [Whittier] an altogether appealing, irascible antihero, along the lines of Grady Tripp in Michael Chabon’s Wonder Boys or Doug Willis in David Gates’s Preston Falls.” —Publishers Weekly (starred)
“A mini-masterpiece . . . Hugo is one of the most memorable creations in recent fiction. His story is an exquisite meal served in literary, haute cuisine prose. Discerning palates will savor it.” —People
“Funny and aesthetically playful . . . Christensen beautifully handles this very male point of view, with a complexity of language and a set of intricate emotions (both hidden and revealed) that recall Nabokov’s Lolita.” —Elle
“Christensen gives a virtuoso performance, tossing off perfect sentences seemingly at random, delivering them with a sneer that makes them more delicious.” —Lev Grossman, Time