Smokin' Seventeen (Mass Market Paperbound)
Where there’s smoke there’s fire, and no one knows this better than New Jersey bounty hunter Stephanie Plum.
Dead bodies are showing up in shallow graves on the empty construction lot of Vincent Plum Bail Bonds. No one is sure who the killer is, or why the victims have been offed, but what is clear is that Stephanie’s name is on the killer’s list. Short on time to find the murderer, Stephanie is also under pressure from family and friends to choose between her on-again-off-again boyfriend, Trenton cop Joe Morelli, and the bad boy in her life, security expert Ranger. Stephanie’s mom wants her to dump them both for a former high school football star who’s just returned to town. Stephanie’s sidekick, Lula, suggests a red-hot boudoir “bake-off.” And Joe’s old-world grandmother gives Stephanie “the eye,” which may mean that it’s time to get out of town.
With a cold-blooded killer after her, a handful of hot men, and a capture list that includes a dancing bear and a senior citizen vampire, Stephanie’s life looks like it’s about to go up in smoke.
About the Author
Janet Evanovich is the author of the Stephanie Plum books, including "One for the Money" and "Sizzling Sixteen", and the Diesel & Tucker series, including "Wicked Appetite". Janet studied painting at Douglass College, but that art form never quite fit, and she soon moved on to writing stories. She didn't have instant success: she collected a big box of rejection letters. As she puts it, "When the box was full I burned the whole damn thing, crammed myself into pantyhose and went to work for a temp agency." But after a few months of secretarial work, she managed to sell her first novel for $2,000. She immediately quit her job and started working full-time as a writer. After 12 romance novels, she switched to mystery, and created Stephanie Plum. The rest is history. Janet's favorite exercise is shopping, and her drug of choice is Cheeze Doodles.
Praise for Janet Evanovich
“No less than her plotting, Evanovich’s characterizations are models of screwball artistry. . . . The intricate plot machinery of her comic capers is fueled by inventive twists.”—The New York Times
“[Evanovich’s novels are] among the great joys of contemporary crime fiction.”—GQ
“Chutzpah and sheer comic inventiveness . . . The Evanovich/Plum books [are] good fun.”—The Washington Post