The Fourth Hand (Paperback)
While reporting a story from India, New York journalist Patrick Wallingford inadvertently becomes his own headline when his left hand is eaten by a lion. In Boston, a renowned surgeon eagerly awaits the opportunity to perform the nation's first hand transplant. But what if the donor's widow demands visitation rights with the hand? In answering this unexpected question, John Irving has written a novel that is by turns brilliantly comic and emotionally moving, offering a penetrating look at the power of second chances and the will to change.
About the Author
JOHN IRVING was born in Exeter, New Hampshire, in 1942. His first novel, "Setting Free the Bears," was published in 1968, when he was twenty-six. He competed as a wrestler for twenty years, and coached wrestling until he was forty-seven. Mr. Irving has been nominated for a National Book Award three times--winning once, in 1980, for his novel "The World According to Garp." He received an O. Henry Award in 1981 for his short story "Interior Space." In 2000, Mr. Irving won the Oscar for Best Adapted Screenplay for "The Cider House Rules." In 2013, he won a Lambda Literary Award for his novel "In One Person." An international writer--his novels have been translated into more than thirty-five languages--John Irving lives in Toronto. His all-time best-selling novel, in every language, is "A Prayer for Owen Meany."" Avenue of Mysteries" is his fourteenth novel.
“A RICH AND DEEPLY MOVING TALE . . . Vintage Irving: a story of two very disparate people, and the strange and unexpected ways we grow . . . Irving’s novels are perceptive and precise reflections of the world around us.”
–The Washington Post Book World
“A BLEND OF SEXUAL FARCE, JOURNALISTIC SATIRE, AND TENDER LOVE STORY . . . From what at first seems bizarre, Irving builds the best kind of love story: an improbable one. Wallingford gets more than a transplanted hand; he begins to find his soul.”
“A RIVETING ENTERTAINMENT AND CERTAINLY ONE OF THE FUNNIEST NOVELS OF THE YEAR. The authoritative control of Irving’s storytelling has never been more impressive. . . . The delighted reader is powerless to look away.”
“[A] THOROUGHLY SATISFYING LITERARY EXPERIENCE . . . Irving’s most compassionate and redemptive [novel] to date . . . [His] mastery of characterization is unequaled in American novelists of the day.”
–St. Louis Post Dispatch
“A BEAUTIFUL STORY ABOUT THE REDEMPTIVE POWER OF LOVE.”
–The Denver Post